Christ the Redeemer

Christ the Redeemer is a statue of Jesus Christ in Rio de Janeiro, Brazil. The statue stands 30 metres (98 ft) wide and 38 metres (120 ft) tall with its pedestal. It weighs 635 tons (700 short tons), and is located at the peak of the 700 metres (2,300 ft) Corcovado mountain in the Tijuca Forest National Park overlooking the city. It is one of the tallest of its kind in the world. The statue of Cristo de la Concordia in Cochabamba, Bolivia, is slightly taller, standing at 34.20 metres (112.2 ft) tall and 40.44 metres (132.7 ft) tall with its 6.24 metres (20.5 ft) pedestal. A symbol of Christianity, the statue has become an icon of Rio and Brazil. The statue of Christ the Redeemer is a very important symbol of Brazil's Christianity. It is made of reinforced concrete and soapstone.
The idea for erecting a large statue atop Corcovado was first suggested in the mid 1850s, when Catholic priest Pedro Maria Boss requested financing from Princess Isabel to build a large religious monument. Princess Isabel did not think much of the idea and it was completely dismissed in 1889, when Brazil became a Republic, with laws mandating the separation of church and state. The second proposal for a large landmark statue on the mountain was made in 1921 by the Catholic Circle of Rio. The group organised an event called Semana do Monumento ("Monument Week") to attract donations and collect signatures to support the building of the statue. The donations came mostly from Brazilian Catholics. The designs considered for the "Statue of the Christ" included a representation of the Christian cross, a statue of Jesus with a globe in his hands, and a pedestal symbolizing the world. The statue of Christ the Redeemer with open arms was chosen. Local engineer Heitor da Silva Costa designed the statue; it was sculpted by French sculptor Paul Landowski. A group of engineers and technicians studied Landowski's submissions and the decision was made to build the structure out of reinforced concrete (designed by Albert Caquot) instead of steel, more suitable for the cross-shaped statue. The outer layers are soapstone, chosen for its enduring qualities and ease of use. Construction took nine years, from 1922 to 1931. The monument was opened on October 12, 1931. The cost of the monument was $250,000. The statue was meant to be lit by a battery of floodlights triggered remotely by shortwave radio pioneer Guglielmo Marconi, stationed 5,700 miles (9,200 km) away in Rome, but poor weather affected the signal and it had to be lit by workers in Rio.

Chichen Itza

Chichen Itza is a large pre-Columbian archaeological site built by the Maya civilization located in the northern center of the Yucatán Peninsula, in the Yucatán state, present-day Mexico. Chichen Itza was a major regional focal point in the northern Maya lowlands from the Late Classic through the Terminal Classic and into the early portion of the Early Post classic period. The site exhibits a multitude of architectural styles, from what is called “Mexican zed” and reminiscent of styles seen in central Mexico to the Puuc style found among the Puuc Maya of the northern lowlands. The presence of central Mexican styles was once thought to have been representative of direct migration or even conquest from central Mexico, but most contemporary interpretations view the presence of these non-Maya styles more as the result of cultural diffusion. The ruins of Chichen Itza are federal property, and the site’s stewardship is maintained by Mexico’s Instituto Nacional de Antropología e Historia (National Institute of Anthropology and History, INAH). The land under the monuments, however, is privately-owned by the Barbachano family. Northern Yucatán is arid, and the interior has no above-ground rivers. There are two large, natural sink holes, called cenotes, that could have provided plentiful water year round at Chichen, making it attractive for settlement. Of the two centos, the "Cenote Sagrado" or Sacred Cenote (also variously known as the Sacred Well or Well of Sacrifice), is the more famous. According to post-Conquest sources (Maya and Spanish), pre-Columbian Maya sacrificed objects and human beings into the cenote as a form of worship to the Maya rain god Chaac. Edward Herbert Thompson dredged the Cenote Sagrado from 1904 to 1910, and recovered artifacts of gold, jade, pottery, and incense, as well as human remains. A recent study of human remains taken from the Cenote Sagrado found that they had wounds consistent with human sacrifice. (Source: http://en.wikipedia.org/wiki/Chichen_Itza)

Abu Simbel

Abu Simbel is an archaeological site comprising two massive rock temples in southern Egypt on the western bank of Lake Nasser about 290 km southwest of Aswan. It is part of the UNESCO World Heritage Site known as the "Nubian Monuments", which run from Abu Simbel downriver to Philae (near Aswan). The twin temples were originally carved out of the mountainside during the reign of Pharaoh Ramesses II in the 13th century BC, as a lasting monument to himself and his queen Nefertari, to commemorate his alleged victory at the Battle of Kadesh, and to intimidate his Nubian neighbors. However, the complex was relocated in its entirety in the 1960s, on an artificial hill made from a domed structure, high above the Aswan High Dam reservoir. The relocation of the temples was necessary to avoid their being submerged during the creation of Lake Nasser, the massive artificial water reservoir formed after the building of the Aswan High Dam on the Nile River. Abu Simbel remains one of Egypt's top tourist attractions. Construction of the temple complex started in approximately 1244 BC and lasted for about 20 years, until 1224 BC. Known as the "Temple of Ramesses, beloved by Amun", it was one of six rock temples erected in Nubia during the long reign of Ramesses II. Their purpose was to impress Egypt's southern neighbors, and also to reinforce the status of Egyptian religion in the region. Historians say that the design of Abu Simbel expresses a bit of ego and pride in Ramses II. With the passage of time, the temples fell into disuse and eventually became covered by sand. Already in the 6th century BC, the sand covered the statues of the main temple up to their knees. The temple was forgotten until 1813, when Swiss orientalist JL Burckhardt found the top frieze of the main temple. Burckhardt talked about his discovery with Italian explorer Giovanni Belzoni, who travelled to the site, but was unable to dig out an entry to the temple. Belzoni returned in 1817, this time succeeding in his attempt to enter the complex. He took everything valuable and portable with him. Tour guides at the site relate the legend that "Abu Simbel" was a young local boy who guided these early re-discoverers to the site of the buried temple which he had seen from time to time in the shifting sands. Eventually, they named the complex after him: Abu Simbel. (Source: http://en.wikipedia.org/wiki/Abu_simbel)