Minar-e-Pakistan

Minar-e-Pakistan is a tall minaret in Iqbal Park Lahore, built in commemoration of the Lahore Resolution. The minaret reflects a blend of Mughal and modern architecture, and is constructed on the site where on March 23, 1940, seven years before the formation of Pakistan, the Muslim League passed the Lahore Resolution (Qarardad-e-Lahore), demanding the creation of Pakistan. This was the first official declaration to establish a separate homeland for the Muslims living in the subcontinent. Pakistan now celebrates this day as a national holiday each year. The monument attracts visitors from all over Pakistan, as well as the inhabitants of the Walled City of Lahore. The large public space around the monument is commonly used for political and public meetings, whereas Iqbal Park area is ever so popular among kite-flyers. The tower was designed by Naseer-ud-Deen Murat Khan a Pakistani architect of (Daghestan) Russian descent,and structural engineer was Abdur Rahman Khan Niazi . The foundation stone was laid on March 23, 1960. The construction took eight years of time, and was completed in 1968 at a cost of PKR 500,000. Today, the minaret provides a panoramic view to visitors who can climb up the stairs or through an Elevator. The parks around the monument include marble fountains and an artificial lake. The base is about 8 meters above the ground. The tower rises about 60 meters on the base, thus the total height of minaret is about 72 meters above the ground. The unfolding petals of the flower-like base are 9 meters high. The diameter of the tower is about 97.5 meters (320 feet). The base platform is shaped like a five-pointed star and encloses two crescent shaped pools. There is a central spiral staircase rising up with 162 steps. The top-dome of the minaret is made of Stainless steel inlaid with fine glass pieces. The structure is made of reinforced concrete, stones, and marble. The rostrum is built of patterned tiles, and faces the Badshahi Mosque. The base comprises four platforms. To symbolise humble beginnings of the freedom struggle, first platform is built with uncut Taxila stones, second platform is made of hammer-dressed stones, whereas third platform is of chiselled stones. Polished white marble at the fourth and final platform depicts the success of the Pakistan Movement. Source: (http://en.wikipedia.org/wiki/Minar-e-Pakistan)

India Gate

The India Gate is one of the largest war memorials in India. Situated in the heart of New Delhi, India Gate was designed by Sir Edwin Lutyens. Originally known as All India War Memorial, it is a prominent landmark in Delhi and commemorates the 90,000 soldiers of the erstwhile British Indian Army who lost their lives fighting for the Indian Empire in World War I and the Afghan Wars. Originally, a Statue of King George V had stood under the now-vacant canopy in front of the India Gate, and was removed to Coronation Park with other statues. Following India's independence, India Gate became the site of the Indian Army's Tomb of the Unknown Soldier, known as the Amar Jawan Jyoti (Immortal Soldier). Burning in a shrine under the arch of India Gate since 1971 is the Amar Jawan Jyoti (the flame of the immortal warrior), which marks the Tomb of the Unknown Soldier. The shrine itself is a black marble cenotaph with a rifle placed on its barrel, crested by a soldier's helmet. Each face of the cenotaph has inscribed in gold the words "Amar Jawan" (Immortal Warrior). This cenotaph is itself placed on an edifice which has on its four corners four torches that are perpetually kept alive. It was unveiled on January 26, 1972 by the then Prime Minister Indira Gandhi, in the wake of the Indo-Pakistani War of 1971. Today, it is customary for the President and the Prime Minister, as well as visiting Guests of State, to pay homage at the site on occasions of State ceremonies, and each Republic Day, 26th January, the Prime Minister pays homage to the soldiers along with Heads of Armed Forces, before joining the annual parade at the Rajpath. (Source: http://en.wikipedia.org/wiki/India_Gate)

Elephanta Caves

The Elephanta Caves are caves located on Elephanta Island in the Arabian Sea near Mumbai, India that contain Shaivistic high reliefs in stone of Hindu deities important to worshipers of Shiva. The sculptures were created beginning in the late Gupta Empire, or some time after, and at later dates. Elephanta Island was designated a UNESCO World Heritage Site in 1987 to preserve the artwork. The original name of this epitome of temple art is Agraharpuri. Agrahar is the necklace or most important neck ornament. The Agraharpuri slowly became Gharapuri; still retaining the original meaning as the focal point of Gharapuri Island, which was renamed Elephanta Island by the Portuguese and is located in Mumbai harbour off the coast of Mumbai (formerly known as Bombay), India. In 1987, the caves were designated a UNESCO World Heritage Site. The caves are thought to date back to the Silhara kings of the 9th through 13th centuries (810–1260). Some of the sculptures of this site are also attributed to the imperial Rashtrakutas of Manyakheta (in present day Karnataka), the Trimurti of Elephanta showing the three faces of Shiva almost akin to the Trinity of Brahma, Vishnu, and Mahesh. This was also the royal insignia of the Rashtrakutas. Other Rashtrakuta sculptures here are the reliefs of Nataraja and Sadashiva and the splendid sculptures of Ardhanarishvara. The rock-cut temple complex cover an area of 60,000 sq ft (5,600 m2) consisting of a main chamber, 2 lateral ones, courtyards and subsidiary shrines. The site of these magnificent caves contained beautiful reliefs, sculptures, and a temple to the Hindu god Śiva. The caves are hewn from solid rock. The temple complex is said to be the abode of Shiva.

Great Wall of China

The Great Wall of China is a series of stone and earthen fortifications in northern China, built, rebuilt, and maintained between the 5th century BC and the 16th century to protect the northern borders of the Chinese Empire from Xiongnu attacks during various successive dynasties. Since the 5th century BC, several walls have been built that were referred to as the Great Wall. One of the most famous is the wall built between 220–206 BC by the first Emperor of China, Qin Shi Huang. Little of that wall remains; it lay farther north than the current wall, which was built during the Ming Dynasty. The Great Wall stretches over approximately 6,400 km (4,000 miles) from Shanhaiguan in the east to Lop Nur in the west, along an arc that roughly delineates the southern edge of Inner Mongolia, but stretches to over 6,700 km (4,160 miles) in total; a more recent archaeological survey using advanced technologies points out that the entire Great Wall, with all of its branches, stretches for 8,851.8 km (5,500.3 mi). At its peak, the Ming Wall was guarded by more than one million men. It has been estimated that somewhere in the range of 2 to 3 million Chinese died as part of the centuries-long project of building the wall.

Uttara Gana Bhaban

The Uttara Gana Bhaban is situated 1 hour drive from Hotel Naz Garden. Natore is one of the historic towns in Bangladesh. A North Bengal Official Residence of the Hon'ble President of Bangladesh, which is 300 years oldest and enchanting archaeological Royal Palace (Rajbari). This was the residential place of historical and famous Raja of Natore Dighapatia Estate. Inside the palace there are lots to see and enjoy like Darbar Hall Jalsha Ghar, Temple, Weapons and Clothes of the Raja. In between 5 km there is another Royal Palace (Rajbari) called Palace of Rani Bhabani. It is also oldest and enchanting archaeological palace that is constructed on 60 acres of land and inside the palace there is Rani Bhabani Central Jubo Park, Picnic Spots, 6 largest Ponds, Temple etc., to observe and enjoy.

Baitul Mukarram Mosque

Baitul Mukarram Mosque is the National Mosque of Bangladesh. Its construction began on 27 January 1960, and has been going on in phases. In the late 1950s Dhaka grew very rapidly. Abdul Latif Ibrahim Bawani first came up with the idea of building a grand mosque with a large capacity. The 'Baitul Mukarram Mosque Society' was formed in 1959 to facilitate the project. Land was allocated for the mosque complex at the meeting point of Old and New Dhaka. The site was also in close proximity to the central business district of the city. Architect T Abdul Hussain Thariani was commissioned to design the mosque complex. The plan included shops, offices, libraries and parking areas within the complex. The design of the mosque reflects the architecture of the period as can be seen from the use of a white and almost cube-form for the main building. A Mosque without a dome over the roof of its main prayer hall must have been a unique experiment. The main building is eight storied and 99 feet high from the ground level. According to the original plan, the main entrance of the mosque was to be on the eastern side. The shahan on the east is 29,000 square feet with ablution space on its south and north sides. The absence of a dome on the main building is compensated by the two shallow domed entrance porticoes, one on the south, and the other on the north. The elevation of these porticoes consists of three horseshoe shaped arches, the middle of which is bigger than the rest. Two patios ensure that enough light and air enter the prayer hall. The area of the main prayer hall is 26,517 square feet with a mezzanine floor of 1,840 square feet at the eastern side. The hall is surrounded by verandas on three of its sides. The mihrab of the hall is rectangular instead of semi-circular. Excessive ornamentation is avoided throughout the mosque, since minimizing ornamentation is typical of modern architecture. According to Thariani's original plan, the minar was a detached structure on the south side of the main building. However, two new minars are now under construction according to a new plan. The Baitul Mokarram mosque is modern in its architectural style. But it has not discarded traditional principles of mosque architecture. It has found its place in the hearts of the Muslims because of the resemblance of its form to the famous Kaba at Mecca.